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On the Town
Availability:
In Stock
Price:
$12.98
$5.63*
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| Part No: | B00143XE1E |
| Manufacturer: | Warner Home Video |
| MFG Part: | WARD036353D |
| Customer Rating: | 4.5 / 5.0 |
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| On The Town | 2008-11-21 | 5 / 5 |
| | This is one of my favorite movies and i was super excited to find it! The DVD was in great condition and i watch it all the time! |
| On the town | 2008-10-12 | 5 / 5 |
| | On the town was so much fun to watch and I loved the musium secean and I can't wait to watch it again |
| WHV DVD release of 13 May 2008 | 2008-06-28 | 1 / 5 |
| If you're thinking about improving your previous DVD edition of this great movie (WHV release of 2 May 2000), still available on , don't bother. It's identical, just repackaged...
(FIVE stars for the movie itself!) |
| Top notch musical from co-directors Gene Kelly and Stanley Donen a pity Warner couldn't chip in some extras... | 2008-05-19 | 4 / 5 |
| The story of three sailors Gabey (Gene Kelly), Chip (Frank Sinatra) and Ozzie (Jules Munshin)looking for love (in the form of Ann Miller, Betty Garrett and Alice Pearce)while on a one day leave for the first time in New York , "On The Town" continues to be a marvelous musical. It may lack the flash of later Donen-Kelly collaborations but it never loses sight of its purpose--to entertain. That along with marvelous location shooting in New York (a rarity at the time) makes "On the Town" unique.
Based on the popular 1944 Broadway musical co-written by Leonard Bernstein and directed by Jerome Robbins, "On the Town" was notable for a number of firsts. It was the first musical shot on location in New York City. It was the first collaboration between director Stanley Donen and Gene Kelly. It was Donen first film. It also marked the first films of Carol Haney and Bea Benaderet. Although it was lost in the wake of later Kelly-Donen films including "Singing in the Rain", "On the Town" perfectly captures the magic of the play and cast.
Many of the original songs were replaced by new material as producer Arthur Freed felt that they were a bit too sophisticated for the average American filmgoer. The result is that we have a mixed score with material by Roger Edens and Bernstein (with lyrics co-written by Adolph Green and Betty Comden). Although the new material isn't as strong as the Bernstein material, the film overcomes these hurtles by incorporating strong choreography.
The re-release of this film accompanies a new boxed set of Kelly-Sinatra musicals although all the titles for that box set are available individually.
"On the Town" looks terrific with nice robust colors that capture the look of the early three strip Technicolor process. Although a bit grainy at times, the film looks quite good. Sure, the studio could have cleaned up the look of the film a bit more but films that have that digital sheen often lose much of their character in the process. I'm not sure if this has been reissued because a new high definition master has been prepared or not but it looks extremely good in its new presentation.
The mono soundtrack sounds great with a nice dynamic range and no noticeable drop outs. There was some minor clipping but on the whole the sound is terrific.
No new special features in this reissue with only the original theatrical trailer included. It's a pity because there are BBC interviews with Kelly and recent TCM interviews with other cast members discussing the making of the film. If they were well integrated with production/promotional stills, new observations by film historians and footage from the film we could have a fine featurette. We could also find out bits of trivia about the shooting of the film for example co-star Jules Munshin's fear of heights. That necessitated that he perform at least one musical number with a rope tied around him (the other end was tied to co-director Stanley Donen who was off screen) and it would also explain his almost obsessive need in one particular dance sequence to touch and run his hands across the various props.
A marvelous musical with Kelly, Sinatra and the rest of the cast in top form, "On the Town" has lost none of its charm, wit or entertainment value. The vintage footage of New York City during the late 40's will also be delightful to viewers. It's a pity this wasn't spiffed up for release.
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| Another botched musical! | 2007-10-08 | 2 / 5 |
| "On the Town" tells the story of three sailors - Gabey, Ozzie and Chip - on 24-hour leave in wartime New York City. Gabey falls in love with a subway poster of Ivy Smith, "Miss Turnstiles" for the month of June. Gabey, aided by Ozzie, Chip and two of their gals, goes on a hunt for Ivy. After several adventures and a disappointing blind date with Hildy's roommate, Lucy Schmeeler, Gaby finds Ivy.
Let me say first that film version of "On the Town" is lively and entertaining, but no more so than many musicals of the 1940s, including "Anchors Aweigh," the very enjoyable 1945 movie starring Frank Sinatra and Gene Kelly as two sailors on leave in Hollywood.
The musical score of that film (by Sammy Cahn and Jule Styne) is excellent. Sinatra's rendition of "I Fall in Love Too Easily" still leaves me with chills. But I'll leave it to others to argue over which is the better film.
There are at least two ways to review "On the Town" or any other film of a Broadway musical: Take it for what it is, or express regrets over what it could have been. I fall into the latter camp.
"On the Town" opened on Broadway in 1944 and ran for more than 460 performances - a healthy run for shows of the time. It was an "integrated" show, in which the book, songs and dances are tightly bound to advance the plot. Choreograper Jerome Robbins created innovative dances full of energy. The forerunner of "On the Town was the highly successful Leonard Bernstein-Robbins ballet "Fancy Free." The creation of the musical play was inspired by Robbins.
In 1960 Columbia Records released "The First Full-Length Recording" of the show, which included members of the original cast:
(Nancy Walker as Hildy the taxi driver, Betty Comden as Claire DeLoone (Claire Huddeson in the film) the anthropologist, Adolph Green (Ozzie) and Cris Alexander (Chip) as two of the sailors. John Battles as the other sailor (Gabey) is not heard on the album (John Reardon performs in his place. This is the REAL "On the Town."
But producer Arthur Freed felt that the songs in the play were too sophisticated for film audiences, so most of the numbers in the play were dropped and second-rate composer Roger Edens filled out the score (I have to assume that Comden and Green were dragooned into writing the substandard lyrics that accompanied Edens' music). All of this confirms the saw that no one ever went broke underestimating the taste of the American people.
(Producers weren't entirely at fault. The Production Code Administration's censors were always on the lookout for anything that might violate its strict, moralistic code.)
Even the two of the three songs that were retained in the movie, "New York New York" and "Come Up to My Place," were reduced to shadows of the original versions. Leonard Bernsteins's jazzy score was castrated by orchestrator Conrad Salinger and clever lyrics were dropped or altered. These factors changed the atmosphere and mood of the film.
Among the songs that were omitted: "Lucky to Be Me," which has become a standard, sung by Gabey as he awaits his date; "I Can Cook Too," Hildy's witty mating song for Chip; "Carried Away," another funny number sung by Claire and Ozzie in the museum, in which they express a mutual weakness (the song was replaced by the silly "Primitive Man" number, which was only salvaged by Ann Miller's dancing; "Some Other Time," a poignant song, with a marvelous vocal arrangement, that acknowledges that the 24-hour leave is almost over (there are about two dozen versions of this song currently in print); "Ya Got Me," a propulsive, bouncy song with a Latin beat that the gang sings to Gabey to cheer him up (this was replaced in the film by an inferior, corny C&W song.
For many successful musicals, MGM turned to established outside composers and lyricists. "Meet Me in St. Louis," "The Harvey Girls" and "It Happened in Brooklyn" are just three examples of this practice.
Roger Edens is simply not in their league.
So, I suggest that anyone who reads this review acquire or hear the 1960 Columbia album, or even the 1992 studio version that includes even more music.
Your high opinion of the film may change significantly.
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